PERFORMANCE of the II ACADEMY for THEATRE PRACTICES (2002)
on the basis of ” Iphigenia at Aulis ” by Euripides
Artistic Supervision: Włodzmierz Staniewski
Musicians: Emilia Śniegoska, Katarzyna Kapela, Zofia Barańska, Emilia Raiter
Magdalena Bartnik
Agnieszka Błońska
Maria Fogler
Tomasz Kubicki
Sean Palmer
Katarzyna Tadeusz
Łukasz Walewski
Passini treated these gestures not only as means of expression, but also as an abstract, aesthetically sophisticated language. He took advantage of the narrow space of Avvakum Hall in a very interesting way, changing it for example into a cramped room, where a hushed conversation took place. Unhurried pace of action, latent dream-like rhythm, secret gestures, sophisticated art of movement , all this created a “ritual” atmosphere. Passini used the GARDZIENICE means of expression, but he used them for his own different purposes. He was not interested in imitating Staniewski’s work.
Tadeusz Kornaś , Didaskalia , 57/2003
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